It's "like Madagacar" as far as both films are about Zoo animals. The plot and characters are totally different. But go and see the movie and you can judge for yourself.Wendy's Jane wrote:Gee, it's pretty cool to meet people who actually worked on the film.
Would you guys say it's like "Madagascar"?
"The Wild"
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Silvestri did Roger Rabbit, didn't he?It alternates between Elfman and Silvestri as to who is my favorite.
I also love Elfman. Just got the Edward Scissorhands score.
The Wild sounds kinda interesting. I love all animation. Sorry that I was so skeptical about it. I'll try to be more open-minded.
You can’t just have your characters announce how they feel! That makes me feel angry!
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guilty as charged. seems the Toronto Police dept have little humor for a "happy fellow" doing a "bab boys bad boys... what ya going ta do when they come for you...." jig. they wouldn't beleive what i did for a living. i told them (in broken drunken Toronto street jargon) " i ddddireccct cccchildrens flllilms for DISneyyyy" and they responded "ya right, how many priors smart ass". as i was driven to the 52nd division hotel. but it's ok, i sent the arresting officer a 25lb live turkey in a crate.
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Warning this is a shameless promotion of the Disney Movie "The Wild". These images are intended to promote the movie over the "Internet". Disney Marketing released them to us. I'm now unleashing them on the world wide web. If you already find this type of marketing trick offensive DO NOT follow these links.
I feel dirty
http://www.geocities.com/mrpranderson/l ... mall-1.gif
http://www.geocities.com/mrpranderson/n ... a_0003.gif
I feel dirty
http://www.geocities.com/mrpranderson/l ... mall-1.gif
http://www.geocities.com/mrpranderson/n ... a_0003.gif
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cg used to be a great frontier. the experimenting , the fanastic mistakes that forced one down a certain path that would have otherwise not been explored,
the dictation of a standard etc. it's weird though how cg is like a 22 year old rock star who found fame too quickly. while riding high with success, he's being lied to by his bought managers, he's experimenting with dope, he being forced to mature in an unnatural way. eventually he'll loose it all and be pumping gas somewhere in Stockton. you look at directors like Jim Cameron. ILM would have never persued the type of technology it did which jettisoned it into the digital age. it was Cameron's ideas woven into a story that were the first domino. certain directors "get it" is what i'm trying to say here. it's almost as if they are responsible when dealing with a new medium as opposed to careless and driven by mere opening weekend. theres everything to be said about "craft". Pixar is bloody good at "craft" when it comes to this medium. this is why they are called Pixar Animation and not Pixar Digital Company That Uses Really Snappy Computer Technology Ltd. the craft before the tool.
the dictation of a standard etc. it's weird though how cg is like a 22 year old rock star who found fame too quickly. while riding high with success, he's being lied to by his bought managers, he's experimenting with dope, he being forced to mature in an unnatural way. eventually he'll loose it all and be pumping gas somewhere in Stockton. you look at directors like Jim Cameron. ILM would have never persued the type of technology it did which jettisoned it into the digital age. it was Cameron's ideas woven into a story that were the first domino. certain directors "get it" is what i'm trying to say here. it's almost as if they are responsible when dealing with a new medium as opposed to careless and driven by mere opening weekend. theres everything to be said about "craft". Pixar is bloody good at "craft" when it comes to this medium. this is why they are called Pixar Animation and not Pixar Digital Company That Uses Really Snappy Computer Technology Ltd. the craft before the tool.
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...or is this just Spaz talking about himself?spaz wrote:it's weird though how cg is like a 22 year old rock star who found fame too quickly. while riding high with success, he's being lied to by his bought managers, he's experimenting with dope, he being forced to mature in an unnatural way. eventually he'll loose it all and be pumping gas somewhere in Stockton.
Seriously, you make a decent point, and it's something I'm mindful of as we put toger my show at the moment. I was basically raised on the old-school movies (funnily enough I have "Earth Vs The Flying Saucers on now on the background) and want to bring as much of that to what CG gets into my projects.
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i finally saw that "triplets of belleville" film. what the hell is the deal with all the big noses ?. i have a lot of buddies from France and i can't really say that any of them have big noses. i knew this one guy from France who came to the Joint named Daniel Jenneatte who's cranium was kind of askew , but other than that his nose was small. Christophe Hery who's one of the niced humans that God ever made, has no noticable nasal dominance. my jaw is oversized. i write that off to excessive Heinz Noodle Numbers as a kid though. it was before the time of resveritrol and lycopyne. Swiss Chalet was considered a healthy Sunday dinner, ya see.
anyhow, the colour was beautiful though the God damn film dragged. i wanted to join in the Amercian confusion as to why other people liked it because it was foreign and slow but couldn't get over the nose problem and the rotoed computer graphic bikes and toy trains. (i really hope in the future people don't roto anymore cg to look cel; it shows boys). bloody depressing given Mon Oncle and Amélie. whatever, what the hell do i know. i can still recite the entire Smokey and the Bandit movie every time it comes on. Over The Hedge looks hysterical and original. nice goin Tim. i remember Timmy boy when he was still at Post Effects in Chicago. i was at Alias and Post Effects was one of the only places that had Alias. Tim you still ride'n bikes ?
spaz
anyhow, the colour was beautiful though the God damn film dragged. i wanted to join in the Amercian confusion as to why other people liked it because it was foreign and slow but couldn't get over the nose problem and the rotoed computer graphic bikes and toy trains. (i really hope in the future people don't roto anymore cg to look cel; it shows boys). bloody depressing given Mon Oncle and Amélie. whatever, what the hell do i know. i can still recite the entire Smokey and the Bandit movie every time it comes on. Over The Hedge looks hysterical and original. nice goin Tim. i remember Timmy boy when he was still at Post Effects in Chicago. i was at Alias and Post Effects was one of the only places that had Alias. Tim you still ride'n bikes ?
spaz