Here's the video portion of the interview conducted:Terry Gilliam is as enamored with the powerhouse animation studio as the rest of us. Speaking at a BFI special event career retrospective last Friday night, Gilliam came around to discussing the state of modern animation. After praising Pixar for their films, noting how they are clearly a studio run by “creative people” and not suits, and commenting on how much of the bold political cinema he’s seen recently has been in animated family films, Gilliam also let on that he wants to work for the studio. He revealed that he met Andrew Stanton at the premiere of Wall-E and quite sincerely told him to “hold the door open” for him.
Gilliam went so far as to claim he’d “sweep the floors” at Pixar just to be in such a creative, supportive environment, but also seemed quite serious when he talked about it being somewhere he could move to and make movies once financing in the live-action realm became too difficult.
Gilliam wants to work for Pixar
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Gilliam wants to work for Pixar
SlashFilm.com recently conducted with Terry Gilliam in regards to his current set of projects (Imaginarium, Don Quixote, etc.). During the interview, he talked about wanting to work for Pixar.
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Uh, yeah, Terry, and people in...er, the Sahara "want" water.
(Gilliam's said in interviews he can't even remember what part of him made those old Python-cutout cartoons anymore, and complained about studios cutting his "vision" for him, and he wants to go a round with Brad Bird and John "Story is everything" Lasseter?--
More training before you can fight the champ, old man.)
(Gilliam's said in interviews he can't even remember what part of him made those old Python-cutout cartoons anymore, and complained about studios cutting his "vision" for him, and he wants to go a round with Brad Bird and John "Story is everything" Lasseter?--
More training before you can fight the champ, old man.)
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How rude!
Given the Pixar guidance, I would imagine that Terry could come up with something absolutely unique. And he obviously bows to their knowledge of how to structure a movie. I would think, in their attempts to keep stretching themselves, that they would welcome a maverick such as Gilliam into their midst.
Given the Pixar guidance, I would imagine that Terry could come up with something absolutely unique. And he obviously bows to their knowledge of how to structure a movie. I would think, in their attempts to keep stretching themselves, that they would welcome a maverick such as Gilliam into their midst.
I'd say a maverick would be welcome.
Doing something different is good!
Gilliam directed/co-directed two of my favorite films --
Time Bandits and Monty Python and the Holy Grail.
He can do general audience films and still be bizarre at the same time!
Bizarre's good for animation. Part of what I don't like about a lot of the general animation now is that it imitates real life a bit too much sometimes.
Surrealism can be good, too.
Doing something different is good!
Gilliam directed/co-directed two of my favorite films --
Time Bandits and Monty Python and the Holy Grail.
He can do general audience films and still be bizarre at the same time!
Bizarre's good for animation. Part of what I don't like about a lot of the general animation now is that it imitates real life a bit too much sometimes.
Surrealism can be good, too.
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Excellent movies, though it's been awhile since I last watched "Time Bandits". Another great movie by Gilliam is "The Adventures of Baron MünchHausen, one of my favorite movies when I was younger.GeorgeC wrote:Gilliam directed/co-directed two of my favorite films --
Time Bandits and Monty Python and the Holy Grail.
Personally, I think a Pixar-movie featuring Gilliam's involvement would be very interesting. I'd definitely watch it.
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Yes, but they weren't asking him, HE was asking them...And a lot of people ask Pixar.
There are CalArts students who could do just as much fanboy-begging, have actual qualifications to show for it, and stand a better chance of getting in the front door.
Robert Zemeckis can "slum" in Neato Animation, George Miller and Wes Anderson can "slum" at other studios, but Pixar has a "No Slumming" sign on their front gate....
(As Chris Sanders found out, you play by Lasseter's Rules, or you don't play at all--Not a name-diva-friendly atmospere.)
There are CalArts students who could do just as much fanboy-begging, have actual qualifications to show for it, and stand a better chance of getting in the front door.
Robert Zemeckis can "slum" in Neato Animation, George Miller and Wes Anderson can "slum" at other studios, but Pixar has a "No Slumming" sign on their front gate....
(As Chris Sanders found out, you play by Lasseter's Rules, or you don't play at all--Not a name-diva-friendly atmospere.)
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That's quite funny...we have a "no diving" sign in our downstairs toilet!
Going back to Gilliam/Pixar...now that Up is being promoted over here in the UK ahead of its late October release (as usual, I'll just wait an extra week and get the BD for my home theater), I'm seeing more and more of the images and clips, and the particular image struck me of the house being pulled out of the ground.
Um...I'm surprised no-one else has mentioned this, but didn't a certain Mr Gilliam pull off a basically similar visual idea in his Meaning Of Life pre-feature short film The Crimson Permanent Assurance!?
Hmmm...Gilliam and Pixar...not such strange bedfellows after all...
Going back to Gilliam/Pixar...now that Up is being promoted over here in the UK ahead of its late October release (as usual, I'll just wait an extra week and get the BD for my home theater), I'm seeing more and more of the images and clips, and the particular image struck me of the house being pulled out of the ground.
Um...I'm surprised no-one else has mentioned this, but didn't a certain Mr Gilliam pull off a basically similar visual idea in his Meaning Of Life pre-feature short film The Crimson Permanent Assurance!?
Hmmm...Gilliam and Pixar...not such strange bedfellows after all...