

So, you've only seen clips?ShyViolet wrote:I think it looks quite scary at first, (saw clips) but when I watch it more than once, it seems less scary...?
A Clockwork Orange was never banned in Britain, it was removed by Kubrick himself due to the criticism of the violence and how it was seen to glamourise rape. Its a real shame we had to wait until his death to get to see it again in this country as it is a brilliant film. Sadly you are right that we did ban a lot of films. Thankfully our censorship is far more relaxed now.ShyViolet wrote: I heard it was banned in England for 14 years!As was A Clockwork Orange for a long time I think, and the really old movie Freaks....Britain sure bans a lot of movies, don't they?
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Totally agree about these two, very well said!Rosemary's Baby (1968) - This is a film that perfectly illustrates how atmosphere is more important than gore or jumps. Very little actually happens but the film is so carefully crafted that it haunts you for days after.
Freaks (1932) - Just the subject matter alone is creepy enough really.
Oh yeah, i think the Shining is a great film, great Kubrik work and MUCH better than the TV version later on (although the TV version was written by King and much closer to the novel.) But I've seen it quite a few times now so it doesn't shock me as much...most of the stuff that scares me is the nightmare stuff of the two little girls, the dead woman, the blood and Grady at the party.The Shining (1980) - One of the most beautiful horror films ever made. It really plays with the horror conventions which I think works well to unsettle an audience (especially one that watches a lot of horror films). A lot of the movie is shot in day light for one and its slow, long tracking shots are totally opposite the jumpy handheld feel of most horror films (especially noticeable that this film comes out shortly after many horror films of the 70s that use the quick edits and juddery camera movements).
Actually that was more my opinion than King's, although he could have said something similar.Also, both Jacks do love their wife in book and film, though Jack N's movie portrayal is very much more clearer a turnaround than how the book plays it, mostly becuase they have to squeeze all that into two hours of film.
I think you're right Ben!I think King has a grudge on this (and it's been clearly and publicly stated over the years) since Kubrick, essentially in his slimming it down for the screen, made it better, and it's not known as Stanley Kubrick's The Shining as opposed to Stephen King's The Shining for nuttin'!
Really? I didn't know that. I thought it was just part of her role!On Farrow...she was served with divorce papers from husband Frank Sinatra during the filming of Rosemary's Baby, which led to her losing weight and becoming gaunt during filming.