Ignored, maybe, once the significantly more audience-friendly Mirabelle showed up with her hit song, but unliked?
Well, that depends on whether you classify movie/box-office analysts as "people".
("Could this be Lasseter's first big misstep too far, taking the failing reins from Eisner, yada-yada?..."
Analysts were still pushing the death-of-2D and anti-Eisner drama narratives, not to mention the horror stories of Robinsons' production difficulties before Lasseter took over, and did not want reality to intrude at all costs.
Sort of like with Iger vs. Chapek at the moment: Once the press smells a good decline-and-fall story, a sudden competent turnaround success ruins their day, and they pretend it isn't happening.)