Oh jeez, it figures.

I hate it when Classic Who doesn’t get any respect even though so many of the reboot series’ episodes are built on the exact same ideas, and nine out of ten times not nearly as effectively. (With the notable exception of Moffett’s episodes, which actually enhanced and further explored Classic Who’s themes rather than simply recycling them with a considerably higher SFX budget.)
I know a lot of those who dislike Classic think it’s just some campy junk series from the 70s where there’s way too much talking. (That’s certainly the gist of the show’s Honest Trailer on YT.) But really, ask yourself, if it was that terrible, why didn’t it get cancelled after William Hartnell’s tenure, especially since the show’s budget was REALLY low then and the series was still being filmed in BLACK AND WHITE?? (As it was during Patrick Troughton’s era.). If all of it was crud, why in the world would ANY footage (and even recorded dialogue!) of those episodes that were so carelessly and inexplicably destroyed by the BBC be so unbelievably sought-after today, with skilled animators meticulously re-creating the missing scenes?
I used to sometimes flip through Doctor Who Magazine (which has been around since the 70s if I’m not mistaken) but stopped doing that years ago when almost every Classic ep
that was being reviewed/analyzed by the writers was not only not taken seriously but sometimes even ridiculed. (Especially in Time Team reviews, ugh.

).
I mean I totally understand that many of Classic’s eps have the occasional unintentionally hilarious/campy/preposterous moments, and I’m all for sending up those moments as much as anyone. (Hey, some of them were really funny!) But honestly...with the exception of profiles of Classic’s stars, the editors basically use the 2005 reboot series as the main attraction while parading Classic as running gag/irrelevant footnote to lighten the mood a bit and give their readers a good laugh.
Maybe I wouldn’t feel as passionately about this issue if DWM hadn’t interviewed and then completely discredited one of Classic’s best script editors, Christopher H. Bidmead. He not only was responsible for Tom Baker’s last season being AMAZING, but was the man wrote two of Classic Who’s best episodes ever, Logopolis (Baker’s swan song) and Castrovalva. And the interviewer actually begins by asking him questions like: “Don’t you feel that the Doctor Who of nowadays has more depth than when you were writing it?”
That sentence pretty well summarizes DWM’s attitude towards Classic.
You can’t just have your characters announce how they feel! That makes me feel angry!