For some reason I keep thinking of "The Troll in Central Park"...

Wow, lots of major changes at Disney.


It's going to be made and released in a similar way to how Who Framed Roger Rabbit was; it's going to be released under a more mature and animated mainly by a studio in England. This article should help you understand (yes, it's Jim Hill, but...):animated_guy wrote:ughhhh this is all sooo confusing! so this is technically going to be a miramax film right? wich means now they're going to spice it up a little? i like the idea to it though... sounds intresting and a tad of cuteness rolled into it also...
i was laughing so hard... thanksTo hammer home this particular point to Ed & John, the Disney execs who were now in charge of "Gnomeo" reportedly talked about how excited they were about finally being able to use one of Elton John's biggest hits, "The B*tch is Back," as part of the film's soundtrack. Previously, this 1974 hit had been kept off of the approved list of songs that could be used in the Disney version of this film because ... Well, obviously, you can't use the word "b*tch" in a G-rated Walt Disney Pictures release.
But in a PG-rated Miramax Pictures release ... Hell, you can sing "The B*tch is Back" at the top of your lungs for the entire 90-minute running time of the film, if you want. Though -- to be honest -- I don't actually think that that's the plan here.
Last I'd heard, it'd fell back into being an indie project for Elton's producers--Ben wrote:I would say, with respect, not. The film has been in production for so long that I bet they bet that $20m tag long ago. It's obvious that any <I>new</I> productions are going to feel the pinch, but although it's had a bit of a price check, G&J should still be somewhere in the $40m range which should see it looking pretty good.