Meet The Robinsons
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Working for Peanuts was actually made in 3-D, back in the 1950's, with the 'anaglyphic' process (the kind you watch with red-and-blue cellophane glasses).
At the 3-D cartoon festival last year at the Egyptian Theatre, many of the Hollywood studio 3-D cartoons made in the 1950's, including WfP, were screened using a 'polaroid' process (the type of glasses used in 'modern' 3-D films).
The 'effect' is pretty much the same with both; kind of like looking at a 'multiplane' setup; with the characters on separate 'levels', appearing to be closer or further away, depending on the shot.
At the 3-D cartoon festival last year at the Egyptian Theatre, many of the Hollywood studio 3-D cartoons made in the 1950's, including WfP, were screened using a 'polaroid' process (the type of glasses used in 'modern' 3-D films).
The 'effect' is pretty much the same with both; kind of like looking at a 'multiplane' setup; with the characters on separate 'levels', appearing to be closer or further away, depending on the shot.
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Don't quote me on this, but I bet you a peanut that "Working" was two-strip polarized.
Polarized was the superior process, and believe it or not, it predates anaglyphic. I don't think Walt would have settled for less than the superior technology.
(This is not to say that there weren't anaglyphic prints made for some theaters. There undoubtably were.)
I can't wait to see Robinsons in 3D. To anyone who hasn't seen Disney Digital 3-D (or anything in Real-D), I recommend it. Best 3-D technology to date.
Polarized was the superior process, and believe it or not, it predates anaglyphic. I don't think Walt would have settled for less than the superior technology.
(This is not to say that there weren't anaglyphic prints made for some theaters. There undoubtably were.)
I can't wait to see Robinsons in 3D. To anyone who hasn't seen Disney Digital 3-D (or anything in Real-D), I recommend it. Best 3-D technology to date.
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I didn't see ChickLit in theaters, so I wasn't able to see it in 3D...I'm really hoping I can see MTR in 3D though. It looks like a great movie to see in that format, what with the swooping camera shots, city landscapes, and whatnot.I'm definitely looking forward to it; Chicken Little looked pretty amazing in Disney Digital 3-D, and I'm sure Meet the Robinsons will look even better!
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Thanks to AN, here's a neat article on Danny Elfman scoring Robinsons! (some pics too.) 
http://www.soundtrack.net/news/article/?id=877

http://www.soundtrack.net/news/article/?id=877
You can’t just have your characters announce how they feel! That makes me feel angry!
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Sorry K!
Here if you ever go to Barnes and Noble and Borders (huge book store chains) they usually have books like this in their film/media section, often of the latest animated releases. My local B & N still has at least two or three copies of The Art of Cars.
I think you can probably order them on-line, though...not sure about Amazon, if it comes to Poland or not. I'll bet other sites do though.

I think you can probably order them on-line, though...not sure about Amazon, if it comes to Poland or not. I'll bet other sites do though.

You can’t just have your characters announce how they feel! That makes me feel angry!
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Thanks ViShyViolet wrote:Sorry K!Here if you ever go to Barnes and Noble and Borders (huge book store chains) they usually have books like this in their film/media section, often of the latest animated releases. My local B & N still has at least two or three copies of The Art of Cars.
I think you can probably order them on-line, though...not sure about Amazon, if it comes to Poland or not. I'll bet other sites do though.


Hmmm... strange... Maybe there is not much art in Meet the Robinsons ?Prince Kido wrote:Does anyone notices that this Art of contains only 64 pages ??
I can't wait for this Meet the Robinsons Art of, but usually Disney ones get 128 pages!!!
Do you think it's an error, or a joke, or at least this book will be very slim??

