So...pretty good for the newbies...but so-so for the old timers!

I’m not knocking the guys who did the restoration either. It’s a tough job in any case. I’m just saying that imperfect as it is — the Blue-Ray version comes pretty darn close to what I saw back in 1958. Sure, I could nit-pick every scene, but overall, it’s a pretty good job. Of course, you’ll never please everybody.
..Uh, considering Poitier was personally boardroom instrumental in why Disney never put "Song of the South" on video, could we find a better analogy, please?GeorgeC wrote:Floyd all the way! Way, way classier. The guy knows how to talk to people without being condescending. He's animation's Poitier.![]()
Every expert on the featurette gushes how we have to appreciate "the look" of this film.BTW, I've never considered Sleeping Beauty one of Disney's better films. As interesting as the design and colors are, it's also a cold, impersonal film in many ways because of those very things. I've got bigger attachments to most of the Disney features made before Sleeping Beauty. The art design in those films didn't put me off like Sleeping Beauty and the early 1960s films did.
Ben, tyler, please listen to this.tyler283455 wrote:Highly Agreed.Ben wrote:It wasn't <I>that</I> bad, Mrs Tash, but just a general "lightness" to the image, which may have made it feel closer to a digitally colored master than film.
However, as we're seeing on Sleeping Beauty, there <I>is</I> an argument to say that the colors we've been seeing all these years may not have been the right ones either. <I>Apparently</I>, these new digital restorations from the negatives (starting from Bambi in 2004) are a match for the original intentions.
So if Peter Pan and Cinderella don't look as we might remember them, or <I>want</I> them to look, there's a strong chance they actually look as they <I>were</I> supposed to look, from the original three-strips.