I didn't have time to dig all of them up, every time the "It's NOT Hamlet!" discussions arose...Even into the 10's. So I just went for a representative summary.Ben wrote: ↑May 15th, 2020, 4:50 amEric...regarding my "quote" a couple of posts up: could you give me a link to that actual post, because I don't believe I wrote that, at least in that format. If I did, then I can only think that it was meant sarcastically and looks weird out of context, but I’d like to see where and how it originally was posted.
Suffice to say, Japanese-anime fans were beating their heads against walls so hard, they'd find someone else to take the rap for the Katz-Burglar if they had to, as long as somebody took Disney to the judge.
They spent the first half trying to replace action with Wacky New-Character shtick, they ended up doubling-down on it, and most of the entire trip to Atlantis was about punching Milo two-for-flinching. If these sour bullying nutballs were going to help save the world, it would have helped if we'd had the least bit of sympathy to root for them.
(Something the spinoff cartoon finally managed to achieve in the "Atlantis II" TV-pilot direct-video.)
Leaving aside the sub, if they'd spent more plot focus getting to Atlantis by the one-half mark, instead of the last third, they'd have time left over to explain...why...glowing-blue Tiki-thingies...were going to destroy the world...after the heroine gets possessed...I think?

As a result, the "Science-fiction" gets jammed into a fast confusing climax--And no offense against James Garner, but the LEAST charming villain since George C. Scott in "Rescuers Down Under" meeting a fitting end brings only relief instead of action.