ShyViolet wrote: ↑August 22nd, 2019, 4:48 pm
(Even with all the beatings Eisner gets because of the Henson/Muppet deal, you have to acknowledge that immediately after Henson’s death in 1990 Eisner very strongly reached out to Henson’s children to give them emotional closure and still work out an agreement about Disney buying the Muppets. Maybe it ended up not working out (although as we know Eisner eventually did buy the Muppets about a decade later) but Eisner’s efforts to maintain a positive relationship with the Henson family were FAR MORE generous and honest than anything Iger would have done had he been dealing with the Hensons.
Eisner gets beatings because of the Henson Muppet deal (legend has it Eisner only wanted them because he was one of the many folk still unclear about who owned the marketing rights to the Sesame Street characters...Sor-ree, Mike!), but the sad truth is, Henson was also selling--
Jim Henson in the mid-80's was like Walt Disney in the mid-60's: He'd only gotten into puppetry as a gateway to getting into films, and liked the ability to make a film like "Dark Crystal", but began to feel the "kiddie" stuff with Kermit was holding him back. Like Walt started to become frustrated and neglect the animated movies while building neato new ideas for Disneyland, Henson wanted to end the Show characters and was an absentee landlord on "Fraggle Rock", while he wanted to devote more neato attention to "Labyrinth" becoming the movie-SFX flagship for the Creature Shop.
When that (ahem)
didn't happen, he leapt back into marketing the one icon the studio did have. Henson's own comments on the deal praised Disney's ability to "keep great characters alive over the years", and like George Lucas's disenchantment with the Star Wars fans and prequels, he was probably grateful to have someone else do it FOR him.
...But it was the 90's/00's, and made a much better story to depict Eisner as the Evil Octopus, rather than Henson as the Disenchanted Sellout.

And certainly Jeffrey Katzenberg's dealings with Brian Henson were far less "generous" than Eisner's.