Not sure if I agree with all of it, (I don’t see why they have to dump on 1995-2008 Dis for the thousandth time) but interesting nonetheless:
https://youtu.be/wyspEl3a4YA
*The Chapek jibe was funny tho.

Yes, I agree. The thing I think the HT people missed is that Pocahontas lives with/appreciates nature but she doesn’t CONTROL nature like some unrealistic comic book superheroine…so many Native American stories/legends very strongly feature nature, the characters often having a mystical connection with it. I thought the movie conveyed this well. Also, as far as “ordinary, human” Native Americans being absent from the film, in my opinion the opening “Steady as the Beating Drum” sequence which showed families, old and young, women and children living their lives and interacting with each other, achieved this admirably. And Pocahontas was very much a rounded character in her sometimes reckless behavior (jumping off a very high waterfall/cliff, forming a relationship with John Smith, canoeing in rapid rivers) indicating that she is flawed and REAL.Ben wrote: ↑November 23rd, 2022, 4:44 amOkay, so Pocahontas is now considered a misfire, and wasn’t always well-received even back on release, but I think the people at Disney were actually trying to do something noble and, dare I say, respectful, albeit given within the confines of that studio and Katzenberg’s then-wanting to push family animation to be bolder.
More specifically, it took three films for us to consider the heretofore unimaginable possibility that 90's Renaissance films could actually be, y'know, bad. Like, with corny villains, irritating comedy-reliefs, the same rotation of Menken songs, and piling on the third-act melodramas.Ben wrote: ↑November 23rd, 2022, 4:44 amBut this was right after B&TB, Aladdin and Lion King — dramatic, yes, but in a fun way — so we weren’t yet "conditioned" for this type of more po-faced and "worthy" film. I find Pocahontas, Hunchback and Prince Of Egypt to be an interesting "trilogy" all cut from part of the same cloth.
Yes, that’s exactly how I feel about so many modern critiques. Well said!