Glad you took it the right way…it was meant (somewhat) tongue in cheek.
Horner did like to basically reuse and tailor cues over and over (see also *batteries not included turning up again in Honey, I Shrunk The Kids, for instance; the crossing over of Land Before Time with Journey Of Natty Gann, etc…). We used to have a running joke in our family when a movie was on and we didn’t know who had done the music but I would always call it on a Horner score. Which is why I do adore The Rocketeer, since that was the first time in a good ten years or so that he came up with a whole new bunch of tricks…even if he then did proceed to use *those* in a good few films afterwards. Talented guy, and composer of many great *themes*, but he never really pushed himself enough to create truly original great full *scores*.